NYE Boardgaming - The Long Night and King of Tokyo Halloween

 On NYE I got to spend the night with my local besties B and L, and some of their local friends who they have gotten into some of the boardgames we love. 

It was on a big rural property in the sticks. Foothills of the Sierra Mountain range about a half hour away. The area is still laden with snow from the big storms earlier in the week, and it's just beautiful. I got my own flat to sleep in for the night (with horses living just under it), so I was totally up for it and raring to go for drinking, smoking, and playing some games. B and L are also hitting the road soon (they spend about half the year out on the open road) so it was about my last real change to game with them for at least a couple months.

So after a bit of the usual holiday cheer we got down to it. B and L recently got the Dead of Winter expansion The Long Night. It ties in nicely with the original game, making it and even bigger play area. A bandit hideout is included, and also the location of "Raxxon," this games Umbrella corporation. I'm sure this is a ripe-off or Marvel comics old Roxxon evil corporation. Raxxon is making super zombies, and is also likely the cause of the zombie crisis. 

You also get a lot of new characters, including a monkey. 

It plays out just like regular Dead of Winter. This was the first time doing it with 5 players, so there was a lot going on. By halfway through the game pretty much everybody at some point was accused of being the traitor. But towards the end it was clearly Bill, who was promptly exiled. 

The paranoia is the best thing about the game, since everybody gets a motivation card with objectives, and if the player tries to meet them (such as the game being won with two weapons in your possession or whatever) and the actions don't appear to serve the common good, you will get eyebrows raised at you, traitor or not.

The players won the game, though I was lacking one of my objectives, so I didn't get to share in the bragging rights. 

We also then played a few rounds of King of Tokyo, one of my quick game faves. But our kind hosts for the night owned the Halloween edition so we played that. One of the change ups from the regular edition is every character gets a costume card. So your Kaiju might be dressed as a cheerleader, or a princess or witch. This gives you a special ability. 

Since you don't always get a lot of power up cards in the original edition, I welcome something to make your monster different. But the costume thing kind of destroys any verisimilitude. OK, that is kind of ridiculous statement seeing as this is a whimsical game to begin with. But it's all good. It was just s different way to play it. And I did enjoy the chaos of a 5 person game. 

And its all about being with friends on the last night of the year, and that is what counts the most. B and L have been really good to me the last couple of years, and spending time with them, even often as a third (or even 5th) wheel, is very important to me. So, the year for me was ended just right. 

Happy new year!

And...then there was Eldritch Horror

 

It's kind of odd really, to be several games in to a successful D&D campaign with people I first met in the 1st session and to mostly be posting about board games. But it's my current passion. Not just any people to play with (my local besties B and L), and not just any games. All the games I have posted about that I love are games with action, mystery, adventure, and whimsey. 

When I first moved into my new town a few short years ago I looked into local board game meetups. But unfortunately, the gamenuts present had long since moved on from some of the games I loved, and on to others. Games that I didn't find especially inspiring. There was one game where you built different colors of coral. Yawn. Another popular one was Stone Age. I was excited to try it. Mammoths and hunting! But no, turned out it was all worker and resource management, something I find about as exciting as two flies breeding. I gave up on that scene fairly quickly. But I soon met B and L. They were looking to get into D&D and tapped me to run the games. The group went well for a few months, but when it folded for the usual reasons, I decided to try and get them into the board games i wanted to try. B and L already went to a local bar that had over 100 board game free to play, so they were no strangers to them. 

At first, I got them into my old copy of Talisman, and they liked it enough to quickly buy one of the more recent versions. Soon I was buying games I wanted try with them, mostly seen on Will Wheaton's Tabletop show. King of Tokyo, Epic Spell Wars, Dead of Winter, etc.  We played and continue to play the hell out of them. Some others as well. But the one that sat on the shelf since I know them went untouched. It was Eldritch Horror. 

A relative of Arkham Horror. EH was a complicated game, with tons of cards, tokens, and a huge number of fiddley rules to unpack. I was fairly intimidated by it. When I first got it almost three years ago I broke it open and tried a few rounds to learn it, and man, I was baffled. Too much. So it remained stashed away. 

But recently I was like "what the hell." I kept studying on it, and got some info locked into my brain, but the only way to learn it was to actually play it with people, and B and L were up for it. Honestly, just taking the half hour or so to set it up made you learn a lot. Many of the decks involved are identified by artwork, often very similar to different decks, which makes it harder to organize. So far we are maybe three sessions in with it. We devote our entire game day to it, but never seem to finish it. Usually, things look bad and rather than try to hang on with our characters for another hour or so, we pack it in and play some shorter games to end the evening. B and L are fairly competitive, but unless money is involved, I'm about the journey. I don't really care if I win or not. I'm a role player. 

Not to say it isn't fun. It's awesome. It has a lot of role-playing elements that appeal to me. The interesting characters, the different story beats that can happen. It kind of plays like a more epic, international Call of Cthulhu campaign. 

You basically choose of of several Old Ones, including Cthulhu, and build things around that deity. One card deck you actually have to work on to apply to that specific God, organizing it in particular layers. Then your characters travel around the world locations, doing actions (travelling, shopping, etc) and having encounters. As you play gates will appear (during the games turn; the "Mythos Phase"), and monsters as well. It's hilarious, but B and L have almost no Lovecraft experience, so I'm constantly explaining what things are. The Mi Go takes out your brain and fly it to Jupiter or whatever. Hounds of Tindalos come through angles to get at you. Etc. But playing last night a Colour out of Space showed up, and they got excited, having recently seen the Nick Cage movie of that name. We're playing with Shub Niggurath as the deity, and had to keep telling them to mispronounce it because it has an unfortunate similarity to a word we should not say out loud. I kept saying "no, say "Shub Nagrath." I'm serious, did Xenophobic HP Lovecraft purposefully use that unfortunate pronunciation? 

The game play is fun and very deep, so even if you aren't a Lovecraft fan, if you are cool with learning a lot of awkward (yet strangely effective) rules, and are willing to put like 5 hours into a game (some will be a lot shorter just due to bad luck), you might like it. We love it (B and L specifically asked to play it yesterday), but a little goes a long way. So many games to play, so little (generally speaking) time. 

Finally - Betrayal at House of The Hill

 

Around three years ago just when I was getting ready to move to a new town, I only had free antenna TV for several weeks. It was on one of those channels that I discovered Will Wheaton's Geek and Sundry show Tabletop. All the board games I currently love, besides Digital Talisman, were purchased after seeing them on episodes of that show. Dead of Winter; King of Tokyo, Epic Spell wars. My love of board games, never really a thing for me outside of Talisman, had begun. 

Because my travelling friends B and L are back in town for a few months, I went ahead and pushed the button on one I've wanted a long time so I could try it out with them. That game was Betrayal at House on The Hill. The best thing about B and L, besides being my besties in town, is that these games are newish to them as well. The local board gaming community has long since moved on from these games (usually to often abstract worker and resource allocation things I find boring), but they are kind of new to us. Even something like Dead of Winter feels newish, as each game we play seems very different from the last. 

Hilariously, most bad reviews on Amazon for Betrayal are from mothers who bought it for their kids expecting Lugosi Dracula or Karloff Frankenstein to be the foes (versions of these characters are in the game), but found it to have demonic/satanic elements. Well, yeah, if you come up with 50 different hauntings to create the end game, you are going to hit pretty much all genres. Devils, spirits, ghosts, demons, etc. Personally I love the concept of demons, and they are far more fun to me than other creatures you might find chasing Abbot and Costello around in the 50's.

In the game you explore three  floors of the haunted house. The ground floor, second floor, and basement. As you move from room to room you reveal a room tile. Though the room description might be "dining room," "laboratory," or crypt, etc, what is important is if there is a card to be taken and revealed. Three card types in three piles are there and depending on the symbol you will get an item, event, or omen. They might all help or hinder you in some way, but the omen cards are the most important to the game. For each omen you have in play, you must roll under that number each time a new omen is revealed. If you fail, the haunt phase begins. You cross reference the room with the omen just pulled on a chart and you find out what the haunt is and who is the traitor. 

The character cards are two sided, and each opposite side seems to a very different person, though they kept them similar looking enough so the included miniature for each can be used for either. The young high school quarterback on one side, a lineman looking guy on the other side. The male child figure represents either a Caucasian boy or a Japanese boy. A professor, a priest, a fortune teller, a Hispanic lady. All have their own stats. The physical stats being might and speed, and mental being sanity and knowledge. Attacks could harm any of them and reduce them. But you can't usually die until after a Haunt starts. 

So each character goes from room to room, encountering events, items, and omens. These can be helpful or hurtful things (helpful items might be a spear that helps you fight or a set of armor). Omen cards will eventually lead to a Haunt. 

When the haunt occurs, somebody is going to be a traitor. It may be whoever revealed the last omen card, or it could be somebody else. You cross reference a chart with that omen card and the location where it is found, and you have a Haunt on your hands. Somebody maybe turns into a werewolf, or maybe a controller of demons who sends them to hunt you down. There are 50 such haunts, some more powerful than others. One may leave you little chance of winning. Another might be a breeze. But is always fun, and it all pans out as a great little story. And experiencing that story is one of the things I love about it. A game like this promotes role play. In a game like that, I might have my character do something less about what might let him win, and what I think that character would do. Winning is just icing on the cake. 

One downside right now is that we have played like 5 games, and two of those had a repeat haunt. That is not really supposed to happen, you know, with 50 different haunts. I've seen online that people will play a couple dozen games and never get the same haunt. 

Our getting repeats has maybe made us a bit tired of it already. And to be honest, the pre-haunt exploration portion of the game at this point for us has the same rooms and same events and items popping up. So be are taking a break now to play the DandD version Betrayal at Baldurs Gate. 

Yesterday after a Dead of Winter session that had us lose to the apocalypse in record time, we broke open Baldurs Gate and had a run through. It played very much like House, but with fun DandD themed differences. 

I'll probably post at that version after a couple more plays. But I'll say for now that House is a great and fairly easy (until the Haunt) game I think anybody would have fun with, though in my case the replay value is short. But there is at least one expansion for the game, Widows Walk, which adds another level, the roof, and probably some other stuff. I may get that before too long just to check it out and freshen up the main game. 

Cheers

Favorite board game obsessions of recent years part 4 - Dead of Winter

OK, though Talisman will probably remain a forever fave of me and my fellow board warriors in my group, DoW has become a close second. 

My local besties B & L sold their house and hit the road in a huge pick up and a luxury mobile trailer to see the country. Until we discovered Talisman had a digital online version, our gaming pretty much halted. But last summer, when they were managing a nice RV park near Salt Lake City, I made the 6 hour drive to spend a few nights in one of the parks hotel rooms, and besides hiking in the local national park (and spending a bit of time in the RV parks rustic pub) we spent most of our time  playing the shit out of the board games I have mentioned previously, but especially our newest jam Dead of Winter. 

Here is Board Game Geeks description:

 "Crossroads" is a game series from Plaid Hat Games that tests a group of survivors' ability to work together and stay alive while facing crises and challenges from both outside and inside. Dead of Winter: A Crossroads Game, the first title in this series, puts 2-5 players in a small, weakened colony of survivors in a world in which most of humanity is either dead or diseased, flesh-craving monsters. Each player leads a faction of survivors, with dozens of different characters in the game.

Dead of Winter is a meta-cooperative psychological survival game. This means players are working together toward one common victory condition, but for each individual player to achieve victory, they must also complete their personal secret objective, which could relate to a psychological tick that's fairly harmless to most others in the colony, a dangerous obsession that could put the main objective at risk, a desire for sabotage of the main mission, or (worst of all) vengeance against the colony! Games could end with all players winning, some winning and some losing, or all players losing. Work toward the group's goal, but don't get walked all over by a loudmouth who's looking out only for their own interests!

Dead of Winter is an experience that can be accomplished only through the medium of tabletop games, a story-centric game about surviving through a harsh winter in an apocalyptic world. The survivors are all dealing with their own psychological imperatives, but must still find a way to work together to fight off outside threats, resolve crises, find food and supplies, and keep the colony's morale up.

Dead of Winter has players making frequent, difficult, heavily-thematic, wildly-varying decisions that often have them deciding between what's best for the colony and what's best for themselves. The rulebook also includes a fully co-operative variant in which all players work toward the group objective with no personal goals.

That all sounds cool, and in reality its all true. There is a certain amount of complexity (nothing like some of the more popular Lovecraft games) but its fairly easy to pick up if you are focused at least for the first hour of the game. Most of its mechanics are intuitive. 

So you are living in a walled off community. You each start with two characters, with stats related to fighting, leadership ability, and scavenging. For instance the soldier has a high charisma and fighting ability, while the schoolteacher has improved scavenging in the school location. There are not hit points per se, but exposure to the elements and the zombie hoards outside can inflict wounds, and a zombie bite might outright kill you, and endanger others (if you get bit near others then you have to roll exposure for them - basically the dead character is now a zombie attacking them. A lot of elements in this game you have to make assumptions like that because, thankfully, the creators didn't want to waste to much of your time on fiddly details). 

The colony has its problems from turn to turn. When you use resources the trash piles up, affecting morale. You also need a certain amount of food to keep every body happy (besides characters there are a few nameless non coms you have to take care of). You are constantly trying to maintain a balance to keep morale from going down.

Besides taking out trash and such, the characters can go outside on their turn (rolling for exposure to the weather and zombie bites each time) and do some scavenging for food, weapons, medicine, and tools. Locations include the school, police station, grocery, and library. Just like the colony gates these areas can become overrun with zombies, so killing them now and again is a good tactic to keep things from going out of control. If a place gets overrun then characters start dying. 

When starting a new game you pull a card for the entire games tone and goal (keeping people fed, worrying about the trash, finding a certain amount of medicine, etc). Each turn you pull a card for that turns immediate goal (just lesser versions of the main game goal) and each turn another player will pull a crossroads card for you before your turn. That card has certain events that happen to a character on their turn, and often depends on certain things like if a particular character is in play or an action the character might take. Crossroads might also include an immediate event that almost always includes a choice to be made. Maybe you encounter a bus load of kids and have to decide if you can take them in and feed them, or if you abandon them (often all players vote on the outcome). Morale is often involved here. 

Then there is the goal of each player. At the start of a game each players secretly pulls a card for that. It might include things like end the game with a certain amount of guns, or to have a certain amount of characters under your control. Mixed in with these random motivations and requirements is a traitor card. There is a good chance a player will pull one, and buddy, these can be a pain. It usually requires that the game ends with zero morale on the board and you needing to fulfill certain requirements similar to the turn by turn cards. These are often seemingly impossible feats to accomplish. You need to work at fulfilling your requirements and lowering the colony morale without tipping off the others that you are a traitor. The players can vote to kick somebody out, and that just makes it all harder. Though being a bad guy in plain site can be fun. A nothing to lose scenario. I had a habit of pulling the traitor card in more than half the games we played, and had concluded that they were impossible. But in one of our last sessions I actually pulled a win out of my ass in the final turn. I needed morale to go zero, and I needed to have more characters in hand than anybody else. It wasn't going to happen, but suddenly the stars were right. Morale was low. I realized only one player had more characters than me.  I managed to get a crossroads card that gave me two more characters, evening me up with another player. I still had a move left so I had my karate guy move to a location with somebodies janitor character and kill him in a fight. That allowed me to have the most characters and brought morale to zero to end the game. It was an exciting win in a game that most of the time everybody loses, and it took the other players by complete surprise. So if you are the traitor it can pay to wait things out and hope the stars are right for a win in the final turns. 

There seems to be endless variation because not only are there a lot of characters to choose from, there are tons of all the cards. The crossroads deck is huge. So no games should ever play the same twice. 

I love a lot of the characters, but one of the funniest is the mall Santa. An old drunk who still wears his suit, the colony actually gets a boost in morale if he dies. 

Like Epic Spell Wars and King of Tokyo, this happens to be another game I encountered on Will Wheaton's Tabletop show (I actually saw it in a store originally but watching the episode cinched me buying it). I find it one of the most entertaining episodes and it features the late Grant Imahara and Ashely Johnson of Critical Role and The Last of Us fame. Its especially fun because you don't find out who the traitor is till the end of the episode, and its a great twist. 

There are other editions of the game I have yet to sample, but that in itself might be a good reason to go to a convention for the board game room. 

Its another long form game, usually taking 3 hours for three players. On game days we liked to play a game of this, and if we had another hour or so do a few shots of our shorter games. I love this game and King of Tokyo and Spell Wars, so days I got to play all of them were a great day for me. 

Oh, also, I love the art by Fernanda Suarez. There are certainly some beautiful looking people in the apocalypse. 

Favorite board game obsessions of recent years part 3 - Epic Spell Wars of The Battle Wizards

 Epic Spell Wars is a series of boxed sets based around the concept of spell casters, seemingly straight out of the pages of 70's and 80's underground comics, who formulate powerful and devastating spells created from three different components. 

My set is Dual at Mt. Skullzfyre. There is no board per se. But there is a nifty standee...

In this set the standee doesn't really do anything other than inspire. But some other editions include a rule about controlling the standee that gives it a bit of purpose. 

Much like King of Tokyo, the characters are nothing other than art. They all have only one attribute: hit points. 

Every round the players fill up to a certain amount of cards in hand. They then go about crafting their three part spell. Initiative is based upon a number in a little red circle on the Delivery card. Spells are made up of three card types that come in an exact order; Source, Quality, and Delivery. 

Source and Quality will usually include some affect, most often damage, and the Delivery is almost always a table to roll on to see what main damage you inflict with the spell. Each card has an element in the lower right corner. For each of these elements present in your three card spell you get an additional die on the Delivery table. So if you have all three of the same element present you get three dice on that table. 

When its your turn you reveal the cards, announce the name of the spell, preferably in the voice of your crazy character, and then deliver the damage. Last wizard standing is the winner. That's about it. Anyone who died gets to start the next game with a Dead Wizard Card, that gives them some minor advantage in the game. 

The only real strategy is using as many elements as possible to get the best roll on the Delivery table. But really, just putting together a funny or cool sounding spell is just as good a strategy; this game is maybe the most based on luck than my other faves. 

The other set I have is Panic at the Pleasure Palace.

It is essentially the same game play, mixed up with a couple of other elements. The characters and spells are a bit more x-rated. And a new feature includes being inflicted with and trying to remove spell casting-based venereal diseases. Oh yeah, this set comes with a testicle shaped bag to hold yer bits and bobs. 

Like King of Tokyo a typical game is about a half hour. 

Favorite board game obsessions of recent years part 2 - King of Tokyo

 
When I moved into my new town over two years ago, I spent a certain amount of time at the local comic book/game shop. I got some 5th edition experience there (the game play was about what I expected from a game shop, a type of location I hadn't gamed at for decades), but the most fun for me was the browsing the tons of board games on display.

One of the things I wanted a change from in my move from Los Angeles was my high cable bills. So I just got Spectrum's "Pick 10 option" was getting 10 of your favorite basic cable channels (and also a bunch of the free channels usually available using a TV antenna) available without a cable box; it was all streaming. So I ended up getting my first streaming device, a Roku express. It was on Roku I discovered Pluto TV, a grouping of streaming channels that the next couple of years would be my most watched format. Pluto has channels dedicated to particular TV fare of various vintage. One channel might be all Baywatch episodes. One might be James Bond movies. Another showing endless episodes of Dark Shadows. But Pluto also had channels dedicated to internet shows of recent years, such as a Minecraft gameplay channel, several IGN channels, and Geek and Sundry. It was on Geek and Sundry that I discovered Will Wheaton's board game show Tabletop.

Will and Felicia (rumor has it Nathan Fillion knocked her up at a convention).

I was never much of a Will fan, but in all honesty I think I just bought into what seemed like a geek conspiracy to hate him (for being on Star Trek while they were not, maybe?). Getting to know him on the show I got to like him and his sense of humor. Will's guests would include a long list of geek media personalities from the fringes of movies, tv, and gaming. A virtual "who's that?" of pop culture. Non-household names like Grant Imahara from Mythbusters, porn gal turned D&D convention maven Satine Phoenix, and even the queen bee of Geek and Sundrey (at the time) Felicia Day (one of my secret pleasures was her and her bullying brother Ryan's video game play show Co-Optitude). BTW good news; Zak Smith never appeared on an episode from what I can tell. 

 I eventually would discover several games I love to play, and one I would love to but never did. That first one was Eldritch Horror, a game that looked amazing but once I got it on my table I had a hard time figuring the ins and outs. As usual in a Lovecraft game it was full of rules mechanics that seemed unnecessarily dense and high maintenance. That game has sat unopened on my shelf for over two years. 

But my great board game loves of recent times I actually get to play where on the show, most of which I will talk about in upcoming posts. Games like zombie crisis colony game Dead of Winter, the dream-like Forbidden Island and Forbidden Desert, Epic Spell Wars (think of it as Beavis and Butthead if they invented a board game), and what I am talking about today; King of Tokyo.

Yes, there is a Mr. Freeze penguin from outer space in this

King was created in 2014 by Richard Garfield, mastermind behind Magic: The Gathering. The basic "plot" is that you play one of several Kaiju. Some are clearly based on existing Toho Studios monsters, like Gigazaur (Godzilla), The King (King Kong), Mecha Dragon (Mecha Godzilla). Some are just plain fanciful, like CyberKitty, a giant...cyber...kitty...

I almost always run Gigazaur (similar to but legally distinct from Godzilla)

Different editions will change up the monsters, and you can even buy separate monster packs with a new monster and associated cards. My favorite of these is Pandakai, a Kaiju panda. 

"Hi keeba!"

The monster you choose doesn't really have any special affect on the game. It all mostly happens in the dice. So, you start with a health total (hit points represented by hearts), zero victory points, and a deck of power/event type cards that flips out three starting cards. These cards can be bought using energy (we like to call them "Energon Cubes" like from Transformers) you can collect based on dice rolls. There are two ways to win; either defeat all other monsters (bring them to zero hearts), or get 20 victory points. Victory points are collected either through dice rolls or card affects. I won't go into detail about the dice, but it is a very cool part of the game. I'm told it works a lot like games such as Yahtzee, where you can roll multiple times to try and get certain outcomes. You might be rolling to collect hearts to heal, or you may try for victory points (gained by rolling multiples of the same number). You can also collect attack symbols to clobber your foes. 

There isn't really a game board to move around on per se. Its just a small board representing Tokyo. When a combatant is in Tokyo all his attacks hit all other monsters. But all other monsters attacks hit him! Plus you cannot normally heal in Tokyo, so your time there will be short. But you can collect victory points by getting there and staying there. 

You can collect energy from die rolls to save up and buy cards. One card might let you have an extra head so you can roll an extra die. Another might depict a dedicated news team who follows you around and gives you victory points due to the press exposure (things like this add great flavor). 

Turns are action packed and the game goes fast. Too fast, I think sometimes. Many sessions will see few power cards get brought into play. Sometimes you are just too busy collecting heals and punches to spend time building up energy cubes. But some cards can be game changing for you, and they add a great flavor, especially seeing as cards can be the only thing that truly distinguishes a character. Sometime we play with slightly higher hit points and a need for more victory to win to have a better chance at bringing multiple cards into play. 

Sessions tend to be short, averaging probably 25 minutes. But the game is so engaging and full of Kaiju goodness you can do several games in a couple hours. Its perfect for if your longer favorite game goes short. And its easy enough to learn for kids too. You can get it for less than 30 bucks, and the price point is amazing for what you get out of it. 

Favorite board game obsessions of recent years part 1 - Talisman started it all

 Some time in 2019 after I moved to my new town and had gotten a nice little D&D group together (my first real dabbling in DMing 5th edition) I also started getting into a variety of board games in a way I never had before.

Outside of typical board games of my childhood (Monopoly, Clue, etc) I had really gotten into Talisman in the 90's. I mean, really into it. My buddy had a girlfriend who's roommate had the basic board and the dungeon. At our height of play I might go over for the weekend, surfing the couch, and we would play Friday night, finish that game the next morning, start another in the afternoon to finish that night, and then start a new game Sunday morning after breakfast (starting our days drinking with some Mimosa) to finish that late afternoon. We were bonkers for it. I eventually bought a used copy of the game and the dungeon of my own, and played it with folk all over the rest of the 90's.

Talisman had a ton of elements I loved. A bevy of fantasy characters with varied abilities to play; a ton of things that could happen based on encounters and event cards (very often game changing); and most games you could finish in about three hours. 

 Then in the early 2000's I pretty much retired from RPG's and gaming in general for several years, and my copy of Talisman went into the closet with my D&D stuff. 

In my later long running  group that lasted from around 2008 till I left Los Angeles in 2018, I think I only had maybe one or two occasions to break Talisman out from hibernation. But the one time we actually played a boardgame as an RPG alternative was Arkham Horror. I don't even recall which player had a copy. I mostly just recall what a long night it was. The game was so complicated and dense (far more than I felt it needed to be) I found it hard to enjoy despite loving Call of Cthulhu. That was about it for boardgames until I moved to this town almost three years ago. Then I met B and L. 

They were a local couple who I met off a local shops Facebook page because they wanted to play D&D, and pretty soon they had a adopted me (I didn't really know many people in town and hadn't been working yet) and were my besties pretty quick. Besides us having a D&D group for several months, we also started playing boardgames. They were already avid board gamers, being frequent visitors to a local bar that stocked games. There besides a bevy of microbrews, you could pull any number of their hundreds of boardgames off the shelf and play it. They have everything. 

But they had not played Talisman before, and after I first pulled out that old beat-up copy, they fell in love with it. Soon they had the most recent edition (that was by then several years old). I'll be posting about some other faves soon, but here I'll talk about the most amazing discovery of all that is Talisman related: Digital Talisman.

I had just made some offhanded Facebook post about Talisman, and a friend in Sacramento mentioned that there was a digital edition on steam. Zuh?!

I had no Steam experience, but within minutes I had an account and bought Talisman and a few of its expansions. Oh man, how amazing. This was an incredible discovery. Not just the main game, but they had a ton of the expansions. For physical copies this would all be about a thousand dollars if you could even find them. But on Steam the main game was like 6.99, and the expansions were that or less! Many of these weren't even available in physical form. Of all the fucked up things that happened in 2020, discovering digital Talisman was a highlight. And I have friends who love it as well. B and L left town to travel around the country in a huge luxury mobile home. But whenever they are somewhere they can get decent cell phone coverage for hot spots they are up for a game. You can even play it solo with the software running other characters (fairly intelligently as well). 

There are few downsides to this version. Of course there can be a glitch here and there, but rarely game breaking. And so far if you play a game online that game will be erased if you play another one before you finish. So you have to make sure you have plenty of time to finish. 

The upgrade in my Talisman playing has in a way changed my gaming habits. Digital Talisman, as well as the MMO Elder Scrolls Online (will post about that later) have in large part overtaken my desire to run D&D. These days there are just too many options.

Arkham Horror begats Call of Cthulhu

Being down three players last night (Dan Dan the Power Game Man is overseas for awhile, Little Ben has to take a month or two off suddenly, and Big Ben had a cold), we decided to finally play Paul’s copy of Arkham Horror he got for Xmas instead of my Runequest session.. In all honesty, I’m not feeling Runequest like I thought I would. I love the setting, but the super crunch of the combat rules really killed my buzz. I’m going to go back to the drawing board on that for awhile. Like I said a thousand times on this blog, my pet peeve in GMing it to feel like its work. I don’t wanna work during a game. I want to have a couple of beers and paint a picture. I’m all heart and passion at the center, not the crunchy shell. I actually was willing to carry on without using the mind-numbing, high maintenance Strike Rank, but with a couple of the guys being heavily for using it BTB, I just wanted to step back for a bit and take another look before we spent another session trying to adjudicate a battle with the characters and a couple of weapon snakes.

So we finally play AH (the latest version), and it seemed pretty cool. As the only real Lovecraft aficionado in the group, I had to hold back and not bore everybody with the back story of every side street on the Arkham map and all the monsters and books and such. What was weird was they, the Cthulhu novices, seemed to enjoy it a bit more than me. In all honesty, I like a board game to be a little simpler, and to be able to be played inside of three hours with 4 people or less. I’m actually surprised that we finished by 11:30, but I think we fudged a couple of things to be able to get to the battle with the endgame god (in this case it was Yig the serpent god, and we beat him with only one character dying).

We’ll have a better handle on it next time so it will go quicker, but one really good thing came out of this: we got the Lovecraft bug, and I’ll be running some Call of Cthulhu for my next session! Next week at Big Ben’s D&D I’m thinking of taking up a half hour or so for some CoC chargen so we can do less of that when I get the Cthulhu session underway.

Usually this would be a good time to get that weekly gaming in, but some of us are having our schedules become busier on weeknights than usual. Andy is getting involved in some kind of local politics, Terry is going to start bartending at her club a night or two during the week, and in addition to my usual once weekly music practice I want to start learning some new instruments – so all of a sudden we find ourselves dashing about trying to work it out for weekly gaming now. Once or twice a year we have a longer weekend session, and I suggested we try to make that once a month or so to make up for some lost weeknight sessions, so in the long run I think it will be all good and the group will carry on with standard operations bullshit for the foreseeable future.

Starship Crash - the horrible fate of the Silver Princess

The characters boarded the passenger ship “Silver Princess” after a few drinks at the space port outdoor cantina. After having mixed it up with murderous outback poachers, space port gangsters and thugs, and a Darkside Marauder, the group was looking forward to a short 10-hour trip to the remote planet of Dantooine, where their two Jedi comrades had already left for a few days prior. The party had a spacious passenger lounge to themselves (there were several such lounges on the ship), and after liftoff they settled in with their datapads to connect to the media center to pass the time.


Several hours into the journey warning alerts sounded, and the ship’s captain’s intercom voice commanded all passengers to strap into the landing seats near the center of the room until further notice. Soon, the vessel rocked from an explosion within the ship, and the captain announced that the escape pod bay had been destroyed by a mysterious blast. There would be no escape from whatever was going on.


Within moments more explosions were felt. The combat veterans of the group knew that ships were assaulting the Silver Princess, and panic set in when the blast doors to the room dropped with a smash. Kruk the Feeorin veteran of the Mandalorian War unstrapped from his seat in an attempt to reach the weapons locker, but found himself flailing around the room, bouncing off the walls, as the ship took a brutal shellacking from the attackers. Beaten and bruised and lucky to not have broken any bones, Kruk got back to his seat.


Soon the attacks stopped. Were they safe? Not by a longshot; the characters hearts sank as they realized the beaten ship was awkwardly entering a planetary atmosphere at frighteningly higher speeds than was normal. With various alarms still sounding, they found themselves pushed back into their seats by the momentum of the dive, and started feeling the air grow thin and hot. The life support systems were failing. They knew there was no way to survive this, as the lack of air and the heat mercifully eased them into unconsciousness. When the Silver Princess hit planet side, there would be no fear and pain.


In the hilly grassland of Dantooine below, the young Jedis Rokran and Lucia were on patrol in a speeder piloted by Cisco Patelli, a teenage son of settlers who did odd jobs for the Jedi Enclave. As they took a break and Cisco heated up a hearty Ibez stew with his camping gear, both Jedi sensed great coming of mass death from nearby. Looking skyward, they saw a flash and heard a boom, and realized a large starship was breaking through the afternoon clouds on a crash course for the planet. Blazing down at an angle, the crippled ship disappeared behind nearby hills, and with a sickening bang and shaking of the earth, a huge fireball shot up, and a huge wall of fire appeared beyond the hills, marking the skidding of the flaming wreck across more than a mile of landscape.


Rushing to the speeder, young Cisco fired it up as the Jedi leaped aboard, and they shot off for the area beyond the hills. As they rounded the gentle slopes of the foothills, they came around the flaming blast area and saw the long and wide trench created by the crash, and beyond that the main portions of the middle and forward sections of the craft lay in a huge heap of infernal wreckage, flames wisping up towards the sky. They knew there could be no survivors…

Too Many Blogs?

When Bob over at Cylcopeatron first posted a list of gaming blog rankings (by follower) some time back, I was surprised by two things. First, that my blog at that time was somewhere around the top 25 percent of such blogs. And second, there seemed to be less blogs than I thought out there. Bob posted such a list again recently, and two things stuck out at me. Firstly, there were now a lot more blogs out there. Secondly, a lot of low-follower blogs had grown substantially in the amount of followers.

Now, my blog hasn’t exactly grown that much since the first list, despite fairly regular posting. Well, here’s the thing; I don’t think amount of posts, nor necessarily the content, matter that much anymore. A couple of years ago it did. Grognardia has such substantial growth in large part because of sheer amounts of posting, not necessarily the content. Other large follower blogs were either around a long time, or had a female or porno connection of some kind. Not to say by any means that these guys did not have great posts, which of course they do. But it is kind of arbitrary in many cases. If Playing D&D With Porn Stars was just “Zak’s D&D Musings” without mention of gangbang girls running elves, he’d probably have somewhere around 200 followers (or less). Don’t get me wrong, he is obviously a smart and talented dude, but lots of smart and talented dudes (and I don’t necessarily consider myself one of those) often have only around 200 followers.

After that first list at Cyclo’s, I saw one blog that was basically just a dude posting text from Edgar Rice Burroughs with no personal commentary, shoot up fairly quickly from around 20 followers to around 50. Perhaps that is in no small part because Bob at Cyclo asked that his readers support these low-follower blogs (many of which had few followers for obvious reasons). I saw another blog who had followers somewhat less than my count, shoot up past me soon after that Cyclo list. Why? Well, the content certainly did not necessarily improve. But I’ll tell you what, every new blog I look at has this one guy as a recently subscribed follower. He figured out that the more you sign up on other blogs, the more of them will do you a solid back and follow you. His comment in Bob’s recent post was “wow, I’m inspired to try harder!” Harder doing what, signing up for every other blog out there? All that takes is having time on your hands.

That’s all great, but I don’t personally care about amount of followers. It is not at all indicative of my content, nor that all of them are actually reading it. I tend to look at and subscribe to the folks who comment on my post. That is how I learn about and join other blogs. I have no interest in starting my own low-end fanzine nor advertising some new game or scenario I have created for sale. I’m just a gamer doing some gaming, man.

I think the blogosphere as a community thing is great, but in the case of classic gaming I think we are starting to have a glut of blogs that don’t have much to say or much to offer. It is becoming more important to some to have a blog and have a lot of followers than it is to game.

I personally don’t have the time to join up all the others blogs out there, and especially to actually read them all. And to join just to get followers would seem kind of hollow to me. I just do my gaming, and do some blogging because I’ve been at it a long time and feel I have a lot to say. This blog has become a place for me to vent about gaming past and present. A lot of negativity has come out of that, but that is part of the vent. The truth is I love gaming, it has been a big part of my life, and it has mostly been a positive experience for me. The blog, not always so much. One guy freaking out epically on his blog because I tore up one of his creepo players some time ago actually cost me a few followers on my blog . Did he have a point? To a degree. Did I? To a degree. In our own ways we overreacted (and both of us could have talked to the other before acting, but we are dudes and dudes can be dumbasses sometimes). Do I care that some people found my rantings too offensive to continue with? Not a wit. I’m not fully the person I sometimes appear to be on my blog any more than I (or anybody) am always the person I am when I get ticked off at something in life in general. That is why I do that blog. Good or bad, I always have something to say. Either something happy about my gaming experiences, or to let off some steam.

In real life I am usually the biggest person in the room, both physically and in personality. I live large no matter what I do. But do I care if I am a big dog in the blogosphere. Hells no. I have something to say for now, and I hope at least a handful read and have something to say back to me about it (good or bad). I’m actually getting something out of blogging about gaming that I think a lot aren’t. I care not for amount of followers. I care about what I have to say and what others have to say back.

A lot of blogs will be gone in a couple of years (I don’t plan on doing this forever). But as long as I do it I will try to live it by one thing – “blog because you game. Don’t game because you blog.”

That makes sense. I think…

EDIT: I also should add that in the last couple of months I have had two unrelated computer problems that slowdown my own joining of other sites, and my commenting on them. First, my home computer got hit by the Thinkpoint virus and is still messed up, so I spend less time on it. Second, many comment functions on other blogs do not work on my office computer. Only those that allow a pop-up can be commented upon. Other problems exist, such as Bob's Cylopeatron site not loading due to adult content (which he told me does not exist on his site), and also my links to his site don't work for some reason. So to those whom I don't respond to as far as joining your blog or commenting upon, I plead severe tech problems! If you visit my blog and comment and I don't check out your stuff, be sure and remind me to give it another try!

Game Immersion is not a thespian exercise

After a week of vacation at a big hippy music camp in Northern California, I had some game related things based on that I wanted to talk about this week. I’ll get to that later this week, but I want to comment on a weekend post James made over at Grognardia that kind of got my goat when I was relaxing last night with a couple of ales after my long 8-hour drive back to LA.

In a post about dungeon blocks, James makes mention of how he doesn’t really go for “immersive” game play, and that it is somehow some kind of thespian stunt. He claims to have a middle ground, but to me it sounds in this post (and others that he has made) that his players don’t come to really play D&D. It sounds like something James wants to be going on while they socialize. I guess it’s not wrong, but it sure is great D&D when the players come with passion for the game.

I personally don’t consider acting as being a part of immersion. Sure, I happen to have a certain degree of stage improv experience, and it has served me well when presenting an important or interesting NPC. Do I do voices? Hell no, but I do try to have a growly voice for things like orcs, and a calm voice for elf types. I try to do a soft voice for women. But shit, that ain’t acting. Not all (maybe not many) DM’s are even comfortable presenting a character in this way, but I can do it, and having a little charisma doesn’t hurt.

But that is not immersion. Immersion is the DM being in touch with his game world, NPC’s, and the players characters. The DM must be a part of the world and it’s presentation, otherwise he is just the banker in Monopoly. And what helps me is that I use the power of my imagination to get in a mind set where all this stuff is real.

Yeah, I know it’s a damn game and we have to break character constantly. But to feel it and pretend to believe in the world and the characters is a great skill to have. In a little place in my mind and my heart this world is really happening. That is the power of imagination. Do you read a good fictional story constantly reminding yourself that the story never happened? No, you let yourself believe it in it’s own context. The same with a good game that you can feel in your heart, and not just in your head at what is basically just a snacking and shooting the shit session.

All games have some outside chatter and joking, but ultimately that takes away from the game. You don’t have to sit there and act in character or anything, but I think focusing on a game is the best way to get the most out of it. Too much and my players complain. So I kind of make it my job to help “flow” by getting as much focus on the action at hand. We play for three hours on a weeknight twice month, so I do my best to give as much of the game as I can for my players. That is what they are there for. If I can immerse them a bit, all the better.

"That porn chick slew my elf!"

I said "slew," right? Whew!

Zak Sabbath, an avant garde artist, activist, and performer in several “alternative” adult videos (I’m not sure “porn star” should apply to Zak, but I guess that is subjective) has a blog page hit on his hands with his Playing D&D with Porn Stars site. How could he not with a title like that? Not to take anything from Zak; he seems intelligent and capable when it comes to the usual niche talk about gaming. But there can be no doubt that his blogs popularity has more to do with the fact that he knows porn girls, strippers, tattoo artists, and other alternative types than his post looking at what monsters start with the letter “f”. The fact is, having grown up here in Venice Beach and living in LA my entire life, I have known a pretty good variety of these sorts myself. But for Zak these type of people orbit around the things he is into, and more power to him for getting some of them to game with him.

With the video series I Hit it With My Axe at The Escapist, we get a glimpse into the actual gaming Zak does, namely, Zak’s DM’ing for a motley crew of underground misfits, including a hair dresser, a stripper (who doesn’t look much like the glammed up strippers at most higher end clubs), some punk rock guy you barely get a glimpse of, and a couple of “name” starlets. One is Kimberly Kane, a name I had actually never heard of, but Is apparently the winner of several AVN awards for Gang Bangs and facials and all that great stuff. Also Sasha Grey, a name I have heard of, who I have to admit seems like a gimmicky tack-on to the entire proceedings. I didn’t get the impression she was there because she wanted to play D&D. I kind of doubt she had ever heard of the game before that day. Outside of Sasha (who has a great “girl next door look” similar to that pregnant chick from “Juno”), none of the group are the good looking cutie dolls of mainstream porn, but seem more likely involved in labia piercing and nipple chain goth porn that doesn’t usually show up on shelves next to the latest opus’ from more big name stars. I suppose I shouldn’t say, because I haven’t seen anything with any of these people in them (and believe me I watch my fair share), but as far as my tastes go I like girls with much less of a “hard” street look.

In the background of the very small room that the game takes place in, a sort of wary looking dude sits on a bed and reads Zak’s comic collection, looking up occasionally to scrutinize the proceedings. He is the boyfriend of one of the girls, and his very presence outside of the game seems to indicate to me he is there more like the guy who goes with a stripper to a bachelor party – there to watch out for the girls interests and protect her. His presence there really give me the impression that at least one girl is there more as a publicity thing than as a player. Kimberly, however, does come across as a seasoned player.

We don’t get a ton of idea of the game play, but Zak at least sounds like a capable DM.At one point he starts the game of saying “let’s skip the usual do what you want city stuff, and cut to the chase.” All us DM’s have been there, so you for sure get a “shared experience” vibe from that. But other people’s game are rarely all that interesting to us, so the gimmick here has great importance towards the number of people who have watched and commented on the video. Hopefully we’ll get more detail on the gameplay itself in future eps, or even better some of the girls will start taking their clothes off and making out. Either or.

I have to say the camera work and editing are total shit. No bones about it. Sure, it’s nice to have a Blair Witch thing going on, but the point should be to see more of the gaming and get more of an idea of the characters and situations. But bottom line – this is just another project by a guy with a lot of irons in the fire. Of course this is totally gimmicky, but the truth is Zak does play D&D with some porn-related folk. I’d like to think that Sasha would show up to a game that had no cameras, but I seriously doubt it. But even without Sasha, the whole thing does hold interest for some of us who would like some actual pornie babes at their games. All I get to my games are good girls who only know of “facials” as something you get while you’re getting a pedicure.

Over the last few days there has been some kind of controversy in the old school community regarding this videos presence on The Escapist. I really don’t have time to do all the research, but I guess some folks are up in arms because gaming is a “kids” thing, and sure, that is where most of us start our gaming life. But I for sure have no problem with it (I don’t have kids, nor do I want to game with them), and the video itself has nothing salacious about it (sad to say). It’s just some lower end adult industry people playing D&D. Nothing more.

I want to say finally that from what I understand Zak has a few charities that he is personally involved in, and not just on a “wish I could do something about this” level. He actually donates sizable amounts of money from his endeavors to these charities, so he isn’t just talking the talk. If you give money to a cause, you ain’t no poser.

Three Decades of Comic Book Gaming

My history of running/playing Superhero games began pretty much at their inception. In the late 70’s I was a kid hanging around Aero Hobbies in Santa Monica, California on the weekends, and I had access to every cool new game that came out.

Superhero 2044, the first Superhero RPG, just fascinated me. My 14 year-old brain had some difficulty wrapping itself around some of the rules, and that may have been because they are rather sparse. Most of the crunch seemed to have gone into the rather unique (at the time) patrolling rules, which in a weird way seemed to be a replacement for role-play. When running campaigns for friends (who had previously only played D&D), I quickly ditched the patrolling rules (although they still seemed to be pretty good for solo or one-on-one play), and focused on making sense of the rest of the rules. Talk about rules-light, you barely knew what to do as far as coming up with powers. I cut my “winging it” teeth on this game.

In my Superhero 2044 days, I came up with my own game world for it, called “New Haven,” a last vestige American state that was the only U.S. area to survive nuclear Armageddon. It was my own version of 2044’s Shanter Island. I considered it sort of an all-encompassing Sci Fi setting, and often encouraged players to not just think of running a typical comic book hero, but feel free to come with any kind of Sci Fi character that can be hammered into a world where superheroes exist. My players came up with some incredible PC’s for this milieu over the years, and characters that might seem more in place in a D&D, Rifts, or Cyberpunk game were common. I think New Haven was the most open setting I ever ran, and I used it as my superhero game world over three decades and spanning 3 game rulesbooks (all that I mention here minus Supergame).

As the 70’s were coming to a close, I had the opportunity to play a couple of games at Aero that some folk were playtesting for future publication. I have bittersweet memories of these sessions. It was a young couple, Jay and Aimee, who had created the game. While Jay was gregarious and supportive of younger people in the play process, Aimee was kind of a wicked witch, arguing with him the whole way about this or that rule, and denying players this or that action. A couple of years later I had my own disastrous attempt to run this game at Aero for some of the older assholes, a group of condescending, smelly weirdoes who should not have been hanging around a store populated with kids. Although that experience (and Jay’s lack of support of my attempt, despite his presence), helped sour me on Supergame. I think I was so crushed by that experience that I threw the book in the trash that night. I have to admit that I wasn’t much of a fan of the crunch anyway, based unnecessarily on square roots. In all honesty, it was cool at that young age to know people who created a game. It did have the distinction of being the first game to offer a power-buy system.

I was contacted by Jay earlier this year. Obviously, after 30 years of his game being out of print, he was still watching for Supergame references online (how else would he have found my little blog? You can count Supergame references on the internet on one hand). I had written negatively about the game, and he was a bit upset at my calling his game a Superhero 2044 rip-off. That was probably a bit harsh, but he and Aimee’s efforts may have been better placed as a supplement to 2044’s sparse power rules, rather than force people to whip out a calculator for every little action. Aimee’s very amateurish “art” style did not help. I remember one of her friends seeing my scribble of my character and saying “You have nothing to worry about Aimee”. What a thing to say to a 15 year old kid. That gives you a good idea of the caliber of older people who populated that scene. Very discouraging to younger folk. Well, no artist other than me had to worry about Aimee’s laughable superhero work.

Not long after my Supergame experience, I tried my hand at a series of Villains and Vigilantes games for my friends (away from the negative older pricks of Aero), and we had big fun with these. V&V had random character power generation, which when combined with the suggestion that players play themselves with superpower was the source of gigantic hilarity.

But by the mid-80’s I had found Champions, and I never looked back. All the way up to the late 90’s, it was my game of choice, and I ran many awesome campaigns. Despite the big rules crunch (which I usually hate – at least no square rooting was involved), I managed to get many of my D&D regulars into the game, most of whom didn’t even read comic books! I think the sheer customizability of the game appealed to them in the same way it did to my math-challenged brain.

Around 1999 I ended my final campaign with a huge battle against an alien invasion, followed by a presidential election that involved characters in a variety of ways. The election ended with a black, female president getting elected.

I took several years off from gaming until late last year, but now that I am in the swing again, I sort of hanker to put some more effort into Champions and a new campaign in New Haven. As I ran it more or less in real time, it would be interesting to revisit that world after almost 10 years. I just need to convince my non-comic book reading D&D players that comic book settings are a gaming no-brainer.