The Last Isle of Dread Campaign and too much DnD

Last week I finished up my latest Isle of Dread campaign. It has pretty much been a year and a half of mostly weekly sessions. 

I have used Isle of Dread a bunch of times since I was a kid. I remember at around 17 years old at Loscon, a Southern California Sci Fi convention, with my girlfriend, my best friend and his GF, and a couple of other dude friends (we all usually played DnD together) spending around 8 or 9 hours over two late nights in one of our rooms sitting around the little hotel room table making a quick trip to The Isle of Dread. I managed to cram in a sea voyage with a surprise stowaway assassin attack and a fire, landing at the island native villages, and trekking to the plateau and partying with alchohol and sex loving Rakasta up in the clouds. I don't recall for sure, but I think we did do the plateau dungeon in the days after the convention. But the point is I had early memories of this module and have used it every several years in a major way. In later in life campaigns, I had a campaign "The Pagos Trading Company" where characters helped a start up trade company travel to the Island and start up a trading post. Though the Pagos company is defunct, one of its old merchants still works out of the trading post and even has a tiki bar! 

I know that sounds like its a busy place now, but it is still hard to get to. You know, that mysterious fog and monsters and pirates and etc. And the main island is as wild as ever. 

I really vetted hard to get a good group of players. The online forums and Discords with the best odds to reach potential players have become, at times, wastelands of lame and weird usernames and particular expectations. But I have gotten good at picking my shots. And I did not rush those early games. You might call them several sessions 1's. I started with a solid player, Christine, who had advertised on Roll20 looking for a campaign, and I sort of team up with her to get a few others together. Some good ones that remained. A couple that ended up not working, but by around sessions 4 I had a solid group of people.  And pretty much all those of us played together for that long year and a half. 

I did not rush them to the Isle of Dread. I hooked them up with Merlot Von Tanmoor, a very connected (knows the queen and proves it) wizard and academic from old Tanmoor money. I used him in the last couple of campaigns as an easy patron type. The characters included a couple of freshly arrived drow from the deep. A gnome artificer who also considered herself an archeologist, and who quickly became a mentee of history professor Merlot. Also Kork the dragonborn cleric. That was fun because Dragonborn are newly showing up in my originally 1st ed. setting. 

Merlot took them to the opera in a carriage one night, and the characters role played for an hour in it though the ride was probably only 20 minutes. He took them to a major party he threw for connected people and fought assassins there and later in the street. Got arrested for the street fight and I played rap music for that scene inside the precinct with them in chains and we all laughed.

They spent nights drinking at Merlots haunted estate house, and enjoyed the city through second level, then went to the island. All this time there was great role-play, engagement with my stuff, and I was really loving it all. 

An eventful couple of week sea journey, meeting the Tanaroa natives and drinking at the old Pagos tiki bar on the beach. Kork, and orphan who grew up back in the Tanmoor healing gods cathedral, found the secret society of silver dragonborn expats from the mainland that his parents were from. Fought a recurring group of Allosaurus the islanders called "The Seven Brothers," saved villagers from the big pirate camp. All the good stuff. Everything but the plateau (where now instead of the old dungeon I have the spaceship from Barrier Peaks). 

Never went there tho..

The campaign rolled along on the reg. In those early months I had some rough times. I had a family member pass, and I had a long struggle with a persistent sinus infection that could have killed me (takes forever to see a specialist in this town) and a surgery for it that could have blinded me. But the games were so much fun. So much great character interaction. In a good way (mostly) I could barely get a word in sometimes. I like to say, "Sometimes you run the game. Sometimes the game runs you." But I loved it. 

But it let me kick back a lot. The scenarios and campaign had a slow progression, combined with all of them pretty much were Eastern time zone, and since I like to start games at night we usually only played three hours. But for online gaming I have really specialized in getting a lot done in a short amount of time, even with all that role playing. And as a veteran DM, especially with people you are meeting online, I have come to understand most campaigns will not get to their conclusion. Live for the now.  

Early this year, maybe four or so months after my campaign was in swing and my rough times of late 2024, a couple of my regulars started their own games on other nights. Kate, a 24 year old from Tennessee who had an odd Slenderman fixation (who knew there was a "Slenderverse"?) and had a great energy also had a Legend of Zelda fandom, and was starting a campaign based in Hyrule (look it up if you don't know). She invited me and the players to play in it. I was the only one who bit. I mean, Breath of the Wild is a modern favorite of mine, and outside of the original game it was my entryway into the world. K was having trouble getting players at first, so I decided to play to be supportive (always the road to hell is paved with kind intentions). A week later she had found several people WAY into the "Zeldaverse" and pretty much all also aficionados of Pokemon, Digimon, whateverthefuckmon, and furry stuff etc etc. I mean, it was LBGTplus plus plus plus. But hey, I have had such in my games of recent years, but this was next level snowflaky floof 🌈.

I have to admit, K is creative, but I was just not into the Zelda stuff, the creatures and lore and all that. Though I had been playing BOTW for a long time, I could never get the names of the creatures correct. That shit did not matter to me in a video game. It was basically 5th ed DnD, but everything skewed to harken to stuff from a dozen different versions of this setting across games that are only slightly connected to each other. I invested myself into this character, a ruthless young hunter and wild child who was deadly with a bow. But the action was few and far between. There was once three sessions where zero action happened. And since at least one of the twinks (they openly referred to this term) and one of the PokePillow hugging cat ladies was uncomfortable with my character hunting and butchering wildlife. So I made her mostly a forager. Jeez. At least I had all those hours to work on my own campaign while long, out of game conversations broke out about "which Pokemon do you most feel a bond with." Ugh. 

And then another one of my players started a Sunday campaign, their first attempt. So I had to of course try to support that. Especially since all his players were pretty much recruited from my thing. It's a free world, but you know, I worked hard to gather this group and it would be good for to talk to me about it first, plus Sunday was meant to be my alternate day was kaput. Ah well. 

He was pretty good at it being a new DM.  This started I think while I was on an out-of-town trip, and I joined a couple weeks later (I talk about my monk character Zen in some recent posts).  But I dunno. I was never truly happy in these other games. I think it showed sometimes. Like I said I used a lot of the time to just be a quiet player and work on my own stuff (something you could never really do in face-to-face gaming). 

I have to say about this, in my life I rarely have been a player compared to my gamemastering hours logged. Since I was a kid. I don't know why, but the player experience never appealed to me. Outside of "story" or "agency" for any of this stuff, I just want to set a scene with a map and some description, sprinkle in some NPC's and maybe some interesting thing happening and let the characters romp around. I don't really want to do the romping. So when I realized I was not really happy with all this other gaming I started feeling burnt out. And though I always had fun within my sessions, which I think were some of the best of my online gaming life the last 5 years, I was starting to yearn for some new voices in my games. 

With the holidays swiftly approaching, this seemed like a good time to wrap up all my gaming for the year a bit early and to start working on a new one for next year. I have to admit, I have been building life rafts for months because I foresaw I was getting more and more dissatisfied.  There was a line in the show Mad Men where his soon to be ex-wife said to him "You only like the beginnings of things." And that's me in life in a nutshell. Relationships, jobs, or campaigns and game groups. The earlier parts are deliriously happy. But I get discontented with some situations that started out amazing. I actually like a lot of quotes from Mad Men because I feel kinship with lots of them.

 So yeah, I was doing too much of it for too long (a year and a half is longer than most of my romantic relationships). So I needed to cold turkey for a couple weeks before working on the new things. A new campaign. I might even consider playing in campaign of somebody as well. But three nights a week? It was too much. As with any drug you do too much, I am jonesing a bit now. And I did like most of these people. But life is getting short and like Duke Leto said to Paul "a man needs new experiences."

I am in a semi-weekly Marvel Multiverse thing the last few weeks to learn the system (so in my final weeks of my group I was actually in FOUR campaigns, though this one had none of my regulars in it). 

But now that I treated you like my bartender and told you about my gaming trials and tribulations sinking in a gentle pool of wine, I can mention the topic title of this post. "The Last Isle of Dread" campaign I will ever run. 

OK, maybe saying that is hyperbole. But look, I'm a GenX'er and I ain't getting any younger. Sure, been eating fairly healthy in recent years. Going to the gym every other day. Riding my mountain bike on the weekend in the Sierras. No grey hair yet. But why age myself? Well, this campaign was weekly but was still a year and a half. In large part due to fairly short sessions and all that role-playing by the kooks, but still. I wanted to touch on Isle of Dread in a campaign again for years. And here it was. I did it. A great campaign everybody liked, much initially being in the city which are games I love doing. Then the Island. There it is. I did it. Do I want to do another campaign with it soon? More sea voyages and time in the villages and going off to fight dinos and encounter interesting shit. I certainly did not get to do all I wanted. 

The campaign had to switch directions a few sessions in when player Christine, who was in my game and the Sunday one, suddenly had to miss my Saturdays because of some medical thing she did on Fridays that made her ill for a day or two. She made Sundays a couple more times then vanished fully without letting us know what is up. Now, I work in healthcare and I can only imagine she was in chemotherapy. Hopefully she is better, but who knows. The point here I guess is I was prepping sessions a game or two ahead of time, and the plan was to explore rumors ancient civilization ruins around the island. Hidden cities and maybe going to the plateau to explore the old ruins there (and finding out a big spaceship is up there). But when she dropped out I had to start improving. I liked Chris, and felt bad about whatever she was going through, and that took some wind out of my sails months ago to a degree. Leading to some of my disappointments with how things were going. But I changed course and kept going because when actually in my zone with my wheels greased during a session, I was loving it. 

But maybe that is a reason to have another party go back in some later campaign. I have all this prep work for ancient cities to explore. But I dunno. One of my players was a big Curse of Strahd campaign and fan and she turned me on to it, and I have been studying that a good deal. I have the Roll20 purchase for that material with all the tokens and locations with dynamic lighting already added and all this shit. But I am keeping open about what it will be to wait and see the make up of the next group. Maybe something more basic like a Keep on the Borderlands campaign. Or one of a couple other campaigns I created in recent years. Just use them again for a new group. 

Whatever happens, that big Goodman Games copy the Isle of Dread update will stay closed for some years I think. But who knows. If I am still gaming several years ago from now maybe it will get touched upon, if not a whole other campaign with it. But for now, I want to explore new situations with some new people. Duke Leto would approve. 

Cheers

Getting that dungeon crawl going

 

Around the time I posted last, I started a new job in healthcare. Previously my later-in-life health care career transition from a couple of decades of entertainment business management back in LA included a major regional hospital during the height of the pandemic, but the most recent gig is for a healthcare insurance plan company, and it includes some new perks. More money than I ever made since leaving my home city, and the biggest change of all was working from my home office most of the week. 

But despite this being a somewhat demanding position, I have managed to do a lot of gaming. OK, most of that gaming is video games on the weekend. I play Elder Scrolls Online a lot less, as it started to feel too unchallenging. I will pop in for an hour or two with my old pal T, who is still enchanted by the game and plays a lot of it. But I need variety in my games. I still have a Mad Max game and GTA 5 I dabble in on XBOX, plus I recently downloaded an old favorite side scroller, Castlevania: Symphony of the Night. Legend of Zelda: Breath of the Wild remains a favorite, and I also like to play a little Cuphead here and there on Nintendo Switch in handheld mode while taking a little break in the workday. Man, what a hard game!

My Roll20? Well, I have mentioned my besties "B&L" (currently on the other side of the country helping L's mom run her bar...I will see them in fall and Winter when they come back to town for a while) and also my Los Angeles homegirl "T" who has played in my games on and off since the early 90's. The three of them make up my current little group, playing every couple of weeks. A classic dungeon crawl campaign. 

This is for sure giving me experience in online dungeon creation. I do have a couple of purchased modular dungeon packs from Roll20 (about 5 bucks a pack). I built the first few levels of a dungeon for me very first little Roll20 campaign that went for about 15 sessions. So pretty much reusing that same dungeon, but will be always tweaking. I built the first 4 levels back then, though the party only got to level 2 back then (just like the current things I had about 7 or 8 session working towards the delve...little adventures on the road).  

As it's not exactly a huge labyrinth, I hope for us to more or less get to level 5 at some point, maybe by late summer? But historically I have always ended up getting fed up with a crawl and found a way for the characters to do other things. So it may not make it that far. 

But this little dungeon has a bit of history in my setting, going back decades. So I think I will talk it up a little more next post. 

Cheers

Nintendo Switch and Breath of the Wild part 2

 

Last post I was talking about pushing the button on buying a Nintendo Switch. And like a lot of people a large part of why I got it was to play Zelda: Breath of the Wild, an exclusive to the portable console. 

Is it worth over 400 bucks (including two games and two years of Geek Squad coverage, because there is a good chance you are going to drop the thing at some point) for Zelda alone? Of course not. I imagine there will be times I will want to play it on the road somewhere, or just lazing in bed playing it in travel mode after getting the coffee brewed. 

There is a wealth of games you can get on it. But the two games I got was Breath of the Wild and Cuphead. Cuphead is a simple side scroller that is the kind of thing I think works best on this gimmick. 

Breath is another story altogether. It's a huge open world. Lush and vibrant. Well, it's not as bright and colorful as something like Elder Scrolls Online. It's a very little bit washed out in appearance. Almost kind of like the type of cell shading animation in the Borderlands games. But there is a lot to see, up close and on the horizon. A big screen TV helps with the experience. It's a massive open world, and at times kind of empty. Lonely, in a good way. You really want to take it all in, and that is hard on a small screen. When combat gets hectic, or you are working big moving puzzles in the shrines, it just feels kind of tight on the small screen. I think games like Skyrim are available, so this will be a common decision. Should I play this in handheld mode or save it for the TV?

Still, there is plenty that works on the console screen. Resource collecting in an area with uncomplicated enemy types is fine. So lazing in bed on the weekend with the small screen might require a bit of timing. But it would only be a few minutes before something epic is going on and you'll want to be in front of the TV. 

One of the things that really tickles me is all the nods to old Zeldas. I only ever played the original Zelda game (not just in the dark past but there is a copy on my old Wii). But most of the monster types, and sound cues, harken right back to the old days. But of course updated. Such as the Zora. In old Zelda they were basically big ugly demon fish heads that came up out of the water to spit a rock at you. But here they are dolphin people. And they are strangely attractive in some ways (maybe just in my sick mind). At one point they will give you dolphin armor that lets you zip up tall waterfalls. It won't help you from drowning during swimming moments. 

So, Link in this game awakes from a 100-year slumber to find himself on a big plateau area. Naked and unarmed, he soon finds at least a shirt and pants, and very early on in this game you will be using branches to fight monsters with. 

The Great Plateau from afar

Unable to leave the plateau, even though at points you will see the vast lands below, you wander around getting your adventure legs going. You spend several hours exploring the area. Turns out its the games brilliant way of getting you to practice all the skills you will rely heavily on later. Weapons, combat, running, climbing, foraging, using cooking fires, etc. And this is where you first learn of the shrines. 

The shrines are one of the most important locations in the game. There is no grinding for XP in this. Instead, Hearts (health/HP) and Stamina are mostly gained through completing shrines. There are around 120 scattered around the lands, and often you can be alerted to one being nearby by the Slate you get early iun the game. It's basically an iPhone that has various functions, including shrine detection. 

Once in a shrine, you will usually have to face some challenge, either an elaborate puzzle, or a fight with mechanical guardians of various power levels. Finish the shrine and you will be awarded a Spirit orb. Get 4 of these and you can gain a heart or a stamina.

It turns out stamina is about as important as hearts. You use stamina to run, swim, and climb. And you will climb A LOT in this game. Cliffs and mountain areas are abundant, and some areas will not be accessible until you have gotten enough stamina to climb them. Items, such as a climb-bonus head rag will assist. 

Towers also have an importance. There are several big land areas, each with a tower more or less centrally located within it. There are times you can look around and see up to 3 or 4 towers in the distance. They are very tall. And much like the shrines, they glow at night, so they are easy to see.  In order to reveal a land area on your map, you need to climb one of these towers. Sometimes it's easy. Sometimes there are guards or other things to hinder you. It always feels like an accomplishment to get to the top of one of these. 

One of the most outstanding items in the game is the Glider. You will get this from an old hermit a few short hours into the game on the plateau, and it's how you can finally leave that area. 

It's an amzaing experience to use it, and it becomes part of your character. You will be gliding all over the place. You can fly off a tower and soar over the land or get to a high mountain top to sail over to another peak. It has its limits though. It uses stamina, so you need to look for a landing area before too long. 

I won't get into spoiler territory, but there is a story behind all this, and a main quest. But I'm pretty much still in land exploring mode. After some two dozen hours into this, I'm nowhere near powerful enough to take on main quest challenges. 

So, off the top of my head here are things I love and hate about the game.

Love

The huge open world. It is fairly sparsely populated. There are villages scattered around the lands, where you can see a merchant or lodge a horse. But most of the land is unpopulated, other than monsters. Hills, meadows, woods, lakes, gulley's. But there are always resources to gather. Fruits, vegetables, wild game. Dozens of ingredients you can combine in a cooking fire to make a variety of restorative meals, often with special protections. The higher mountains are cold and you can freeze to death prior to gaining resistant clothing. But combing peppers with other foods can give you limited resistance. Cooking and discovering new meals are one of the simple joys of the game. Can make you hungry too. I'm usually already doing something while gaming that gives me the munchies but cooking up a hearty meal with things like crab, apple, acorns, and bananas can make you head for the kitchen real fast. 

Hunting for shrines. A new shrine is never too far. Sometimes they are hidden behind a hill or on a mountain side, and seeking them out, maybe using your glider, is a total joy. 

The combat. Simple and intuitive. Once you get to the point you can take on multiple foes' things get really good. 

Day and night cycles. Days and nights pass quickly, maybe in about 10 minutes of real time. But they are distinct from each other. At night you can see less in the distance, but things like Shrines and Towers are lit up like Xmas trees. And at night there are more dangers. Things like Skeletons pop out to attack fairly often. If you don't want to waste valuable resources on that, you will try to find a village to lodge in, or to use a fire, to pass the time instantly to early morning. Every few nights this even called Blood Moon happens. It darts across the sky like a red eyeball, and in its wake all the monsters you have cleared out from places will return. Another nice touch, and something to be fearful of. 

Powers. Early on in the game you will gain powers from your Slate to help you in various situations. You can use magnetism to bring a chest to you or make ice blocks on top of water to help you cross a river. And the bomb power is just so useful. From scattering enemies to revealing a hidden area behind rocks. It's just plain funso to blow shit up. Especially because those damn Bokoblins (a Zelda staple since the first game) like to store up barrels of explosives in their lairs. Even without the bomb a well places fire arrow will set them off. 

Korok Seeds. Every now and again when you pick up a stone or explore a secluded mountain top, a little Seed creature will pop out of nowhere and give you a Seed. These can be traded in for more inventory space. This really adds another element to the exploring. After a while you will explore a secluded mountain peak or tall treetop because you feel it's a good place for a seed creature to hide. 

I very truly love the open-ended nature of everything in this game. A true and fully realized sandbox. After the Plateau (and even during it) you are free to go in any direction. There are hints at first, but you are not at all required to explore any areas in any order. You find you own way. And your Slate powers can come in handy to perform a myriad of tasks. 5 years in and I understand people are still finding new ways to overcome challenges and exploration methods. 

Hate

Swimming. Early on you find that you do not have enough stamina to be in the water for more than a few seconds before you die. At first, I thought I was allergic to water or it was acid or something. Later when you build up your stamina it gets better, but at first, it's ridiculous. Even having gained more stamina a few times, I still drown it less than a minute in water. 

Weapons breaking. You find weapons very often, even if it's just a branch or something. But all weapons are fragile as hell. They break constantly. Even magical seeming ones are good for around 5 hits. So, your weapon inventory will be constantly changing. You get sort of used to it, but I can't help feeling like everything is made of bronze or something. 

The rain. All the fucking rain. It seems to rain about 60% of the time in this world. It adds a great atmosphere, but it really sucks when you are climbing. Rain makes you slip and slide down mountains and boulders. When its not raining you know it will be in a couple minutes. At the worst times, like you are high up on a cliff and a storm comes through and down you tumble. Its more annoying than challenging. You may find yourself on a ledge somewhere waiting 10 minutes in real time for the sun to come out. 

There is a sequel coming out, and though I may be a year away from finishing this one, I hope they tighten up some of these annoyances. But despite them, I am fully all in on this. It can be a really relaxing experience, outside of those crazy combat moments. It for sure is going to remain in my top ten all-time favorites for a long time.

Cheers

Nintendo Switch and Breath of the Wild part 1

 

A portable console? I never really felt I needed one. My early progression was Nintendo consoles (I had one about when Super Mario 3 came out in the early 90's), to Genesis, to PlayStation, to PlayStation 2, and on to being an XBOX guy with the 360 and now to the latest XBOX. . 

In recent years when away from home I was happy to play Poker on my iPhone or iPad when the moments were free. For about 10 years I have loved to play Governor of Poker, a great app. I started with 2, and they are on GOP 3 the last few years. In 2 you just played the computer AI, but 3 introduced playing with people from around the world. It actually seems to encourage trash talking and flirting. Fun for quick 10-minute breaks. 

And hell, I don't find the time to play on my consoles as much as I would like. It was the rare game that had me playing more than a couple hours a week. But there were great loves that had me going 6 hours a week or more. Final Fantasy 7. The Resident Evil games. Fallout 3. 

But in recent times I have been watching a lot of G4 and IGN and other video game related channels, content on Pluto TV streaming. Most of the programs are years old (besides G4 which is on a relaunch year, and just laid off most of their office and on camera people, including the odious FROSK), but I still like to watch. Nobody talks much about the Nintendo Switch lately, but it did come out half a decade ago. But the content on some of these channels is years old. And this year I have seen a lot of talk about Switch, albeit, again, from a few years ago. And some of these older bits included one of my current favorites, Scott the Woz. 

Scott does pretty funny little video game review and history skits, and I became a fan right away. And Every year since the Switch came out, he does a segment on it based on its existence up to that time. And this went a long way to perk my interest enough to nab my own Switch. 

So then came the long road the last several months of getting one. Yeah, I hemmed and hawed with myself. I'm not broke or anything, but with a couple games and a couple years of Best Buy Geek Squad replacement was well or 400 bucks. But I worked hard, at a hospital, during the height of the pandemic when most of my county sat home on their asses collecting fat Biden bonus Unemployment checks, and felt I needed to start rewarding myself.

Regular versions were around. But I wanted the OLED, which has a bigger screen and couple other nice upgrades. Better speakers and such. But the OLED had to be ordered. It is a popular version, there was a shortage due to pandemic demand and chip shortages (thanks again, Sleepy Joe!), and this was something I needed to impulse buy. I'm not going to wait a week and a half. 

This went on forever. But then it got a little better. Just a three- or four-day delay. I can have it by the weekend? Fuck yeah! I hit "buy." 

I was excited when it showed up. I wish I had done an unboxing video or something. But you can still watch one. 

Yeah, easy as pie. In less than a half hour I had a couple games downloaded. One was a scroller I had admired from afar for a couple years. It was Cuphead, a run and shoot side scroller that featured characters straight out of nightmarish old 1930's toons. It was originally a little indy game but got popular fast and you can find it in places like the XBOX game pass. And of course, in the Switch shop.

I got Cuphead to have a basic little game that does not need a big screen TV to enjoy (although it looks awesome on my 60 inch). This is what I would most likely play on a park bench or hotel room. But my epic game to enjoy at home would be the game most people buy the Switch to play. Legend of Zelda: Breath of the Wild. Because I have a lot to say about this open world solo game, I'm going to do a part 2 about that in particular. But just a few words about the fun of the Switch console itself.

Less than half the size of my iPad, it seems weird to think of it as a console. But that is what it is. Unlike your iPhone or iPad, it is designed purely for gaming. And it seems a powerful little thing. 

The Switch surely gets the name for all the switching up you can do. First and foremost, the big feature is the portability of play, so out in the field you will play with the "joy Con" controller bits attached. 

When you slide the joy Cons in, you get a satisfying electronic "snap" sound. 

And when you want to play on the telly, you stick your console into the docking station where the HDMI cable goes to the TV. 

The dullest color pics I could find

When docked you stick your little joy Cons into the "grip, and viola you have a little controller. You can actually do this when not linked to the TV. The Switch unit has a kickstand so you can set it on a table.  The joy Con grip combo is fairly sturdy and does the job well, although if you desire the usual controller size that you are used to on other consoles you can actually get a variety of separate controllers. 

I may just get a basic controller if for no reason other than I play 90% of the time on my TV so far. I have travelled very little with it. I have used the console on its own usually kicking back on a Sunday to play Cuphead, a game that works well for a small screen. The joy Cons themselves have no battery, but the last a few hours when charged, and when attached to the console they are always charging. The Switch unit itself seems to hold a very good charge. 

Breath of the Wild? Well, it's a big, beautiful world in there. And such works best on a big screen. But I've had some moments with it off the big screen. You can get hundreds of games for Switch, but Legend of Zelda: Breath of the Wild is the big monkey in the room when it comes to this console. And I'll talk about my experience with it next post. 

Cheers.