Endless Retcons in your game world

 

In the long history of my game world (that I started as a kid) I always tried to maintain some consistency in setting, personages, and timelines. Very early on I started a journal that is now decades old and well worn with the hard cover missing. But it is still handy to go back to and look at. Sometimes I have to dig around for it, because in recent years I refer to it mostly a couple times a year at most. Sometimes just taking a quick look when I come across it when cleaning or something.  The important history and events in my setting will always be in my head, so I don't really need to always be looking back at old text.

What I did was every campaign or so since I was a teen I would scribble a paragraph about what was happening. The main beats and arcs, what characters were involved, events, locations etc. Most of my longer campaigns could span a year or more, and I would indicate the year, and there would be a couple or three entries of what was happening during a certain season within that year. I mean, I have been using this world forever, with groups of friends playing for years with me until different stages of life occurred. It can be big fun to look back and see things I forgot, see the names of characters of transitory occasional players I totally forgot about (a lot of time I cannot put a face to some of the character names from the 80's and 90's).

At the start of a new campaign these days I take a look just to brush up on the time line of big things from the past so new players can work up background stuff that may relate to changes in the setting that happened in those old campaigns. I mean, there is now around 120 years of play continuity since I created that first dungeon and a town. But the most meaningful events to modern times occurred in the last 50 years or so of the setting, so I can often just say "a few decades ago this and that happened." 

 In campaigns of yore I had a certain obsession with my game world's timeframe marching on.  After a campaign I would often have an in-setting year or two go by till the next campaign. If I had a major change in a group and took significant time off from gaming, a couple of times I had like 5 years go by. I feel like it lends and epic feeling to a world for actual play years to pass. But there could be funny side effects. I had a long-time female friend who played a lot in the 90's declare "stop trying to make my character old!"

Since I started running online with Roll20 around Covid, I had moved things forward a little slower. A LOT slower. I think the 4 major campaigns I have done in that time have all occurred pretty much within the same year. It makes sense. Online groups just don't seem to last that long. On average my sessions would go around 20 games before a couple people have life issues. I heavily vet people I cannot meet in person before inviting them into a new campaign, so I usually start with four or five players. When you only have maybe four regulars you are on a razors edge. Losing a player or two is the end of it. Certainly, my current group is an exception. We have played for around 14 months now, almost weekly, and its well over 40 sessions so far. But anyway the quicker turnaround of groups in my online game life has caused me to slow my roll on the time moving forward thing. 

What does this have to do with retconning? Well, a bit of general history can be helpful. Because things change. And I want to talk about two retconning issues I often adhere to, with the second being maybe the most pertinent to this discussion, as it's what inspired this post. 

Isle of Dread was about my first real module, and the one I probably dipped into the most. Since I was a kid used it probably every several years. This is an example of something I did not retcon, but it just went through organic changes with each group that visited. For that first adventure group or two, it was an untouched area. But later uses demanded a place that was no longer virgin territory as far as the mainland or the natives were concerned. There was now trade with the tribes, and even a dedicated trading company from the mainland that was subsidized by the crown, and in my current campaign there is a trading outpost on the beach near Tanaroa (run by a mainlander and also has a bitchin' Tiki Bar!) that is a go between for trade with the natives. And should the characters go to the great plateau they will not find the dungeons from the module but instead other stuff that has happened there since the first PC visitors (spoiler - I currently have a massive space ship like from Barrier Peaks up there... in keeping with my having the Kopru creatures have originally come from outer space).

But then I have areas I have reused and have started retconning in more recent years for new usage for new players. I have less of a mind for continuity because most of my old players will never play again. So new groups don't know any better. Even before running online I have done this for many the last 15 years or so. I have adventure locations I want to reuse. Things I have used over my lifetime again and again. I just reuse them as is. Examples of this would be favorites like The Lichway from White Dwarf magazine. And also Tegel Manor.

These are things I have run at least a half dozen times as major parts of campaigns. And I just don't change them (mostly). I just recycle and reuse. I love them that much. OK, Tegel has changed up a bit since I was a kid because I found some of the sillier elements easily adjustable without detracting from the fun. But pretty much they get reused as is. 

Now that I think of it, maybe this is not really retconning in the truest sense. But the world around these places change. OK, I have not used Tegal since I adopted 5th edition, and the changes in undead and such may make it a different thing. Dunno. But in my mind right now it is the same old manor. But I have used Lichway twice since going to 5th about 6 years ago, and it had the same feels. Last time the Susurrus was released and an army of undead now stalk the halls. To use it again I would probably just reset it. 

So how I think about these places is that they are affected by a powerful time loop situation. As comedy magician The Amazing Johnathan used to say "fuck you its magic!"

What happens in The Lichway or Tegel will have no affect on the greater world. New batch of players. Just run it again. I may be using Keep on the Borderlands next campaign, and I have used that a couple times before. Oops, all retcons. Its back to formula. the frickin' humanoid tenement caves are back to normal. 

OK, so here is the current retconny notion I have. Perhaps more contentious than that other retcon stuff. 

In the past in discussions during a game, we have talked about how in DnD (and any rpg with levelling) about how characters go from fairly weak to powerful heroes often in the course of a few months in setting. Hell, often a matter of weeks. DragonballZ always comes up (mostly from me). If you know DMZ, then you know what I am talking about. 

1000 times gravity!

Often, especially when a player complains about having to start at 1st level, they will say that they think of their character as starting out fairly powerful in some way, or at least fairly effective. Especially when they want the character to be older. By hundreds of years in the case of elves. 

For years my response has been this: OK, well, think of it this way. At first and maybe even 2nd level, think of it as the character is having a "bad day." or Week or whatever. Imaging that the weak foes like goblins are stronger when you meet them as well. A player might respond "but, it's only been a month and I'm 6th level now!" Cry me a river, player, this is dungeons and dragons. It's how it works. 

Sometimes I think these complaints are misplaced, or even kind of performative. I mean, they complain about this in their tabletop, but in the video games they play they fucking love going from 1st to 50th level in the first couple hours of play. 

But I have to admit that the fast levelling is kind of awkward when you think about it. OK, so don't think about it. Heh, easier said than done. But In a convo with a player in last weeks session, it came up while speaking with "K", who was running her drow wizard, was known to have come from a family full of fairly powerful members. An awesomely powerful house matron mother, and pretty effective siblings. She is 7th level in my game now (Isle of Dread will level you up lickety split), but it came up that she started weak. A first level drow who travelled from the Underdark to my main setting city. What is up with that?

So I suggested that perhaps we can look at things like her journey from 1st level is affected by constant retcon. It happens with any character you would want to look at this way. When you look at those earlier sessions, think of her as having been 3rd of even 4 level then. She just wasn't using those more powerful spells yet. Maybe those goblins did not seem as scary now when you look back at it. No big deal. 

Sure, even looking at it from that light, she certainly has had recent experiences that improved her ability and powers. People can learn and get better at things fast. A total noob at golf or tennis can get relatively much better than they were in just a month. Not a pro or anything, just way better than they were. But again the point is to explain a bit better somebody that went from 1st level to 6 or higher in a month. Retcon that 1st level by saying you actually started at 3rd level or something.

In 1st edition you had that having to pay a trainer to get your level. Spend some time with that. I guess that can be a less awkward explanation. But on the Isle of Dread, for example, where the hell do you find a guy to help you train with your longsword or whatever?

Just say "aw, at the start of the campaign you were better than you thought you were" and move on. YMMV.

Cheers.

Thinkin' 'bout Dragonballs

 

The death of Dragonball and DragonballZ creator Akira Toriyama had me thinking about Dragonball. though I don't know that I am really touched by the passing. I have only seen a tiny bit of the actual manga. But I love the series, and I don't really know how involved he was with it. But it would not exist without the guy, so I gotta give props. 

I discovered the show some time in the early or mid 90's. There was no Adult Swim at the time (I think). But it was being shown daily on one of the Los Angeles off channels cartoon blocks. I think I caught the last 30 second of an episode. The characters I would come to love bloviating about some threat or another. I was vaguely aware of its existance before that, but I decided to try and catch a couple of episodes. Like a lot of anime you suddenly discover you have no idea what the fuck is going on. 

I soon saw that they had tapes of these US dubs at my fave video store, so I was able to dive into the first episodes of DragonballZ Goku and his young son visiting what seemed to be old friends on a tiny tropical island. A threat from outer space by guys with similar looks to Goku's. The appearance of Piccolo, who seemed to be an old enemy, though when they showed flashbacks to some previous version of the series where the character looked much older. 

Then I noticed a very small collection of episodes of the original Dragonball, with a young Goku. So I got it; there was a series with Goku as a kid, and Z was a continuation. I was fascinated. then I discovere US dubs that included killing. In the TV dubs I saw when somebody got destroyed, somebody would say something like"wow, you really sent HIM to another dimension!" 

I loved the world as persented in it. In Dragonball the world seemed to be like the Judges Guild Wilderlands; vast wilderness punctuated by points of light villages, with cities to follow in the later show. 

Young Bulma. Later in life she would go on to have sex with 
and bear children for an alien who destroyed entire civilizations
and sometimes even ate them. Bulma was kind of a ho' 

Piccolo was my favorite early on. The antihero of the series. But I liked them all really, and had a fond spot for Krillin, Yamcha, and others. And I loved Goku. Such an innocent but powerful good guy. It was so cool that most of his friends started as enemies who became friends, won over by his good nature as much as his power. Gok and others were killed time and again (I think Krillin held the trophy on how many times). They would travel through hell and go visit King Kai who would make them stronger. 

As new arcs and enemies came in, I became more obsessed. I was never emotionally attached to things my friens loved, like Star Wars and Indiana Jones. But my heart was in this series. The Planet Namek saga. The androids. The Cell Games. It just went on and on. 

Fuck around and find out

Then after years passed I saw Dragonball GT (I think it was called) which did not have any input from Akira  and seemed to be a different show, with Goku a kid again and running around with his grandchildren. 

But into the 2000's it got back on track, but by then I was sort of tired of the constant power growth. And those early sagas were so dear to me, they seemed to be enough, like the earlier seasons of Mad Men or The Sopranos. So besides a peek now and again over the years to see what god level dudes they were fighting, I kind of let it go. But this weekend I seriously wanted to get the Crunchyroll free 7 day trial to watch some early eps, but I had a lot to do so might just do it next week. 

the unsung hero of the series

And also, I never saw as many of the original young Goku eps of Dragonball as I would have liked. I'd like to check out the backgrounds of some of those more mysterious characters, like Yajirobi the fat samurai who will eat anything (including demons and dinosaurs), or Lunch/Launch, a peaceful young girl next door who would turn with a sneeze into a blond femme fatale with a machine gun. I may have to seek those out.

But here's to Akira for creating some of my favorite characters of any genre, and an amazing world for them to punch the shit out of each other in. 

Cheers

Describing PC Levels or Weapon with Pluses in-game

 In-game trying to find a way to describe to somebody a weapon or other item with bonuses, or a character level, was always weird. There were not many ways around it. You just meta-described out of game and that was that. At least it's what I did. 

As far as character levels it seemed easier to describe a magic-users. And I don't mean using the dumb names for levels like prestidigitator and charlatan or whatever. I would just have the mages guild use designations for members such as "Ah yes, Peldifferous is a "mage of the 7th circle" or something like that. Spell ability is a good in-world judging gimmick for MU's. For example the Mages Guild in my main city of Tanmoor restricts even the lowest tiers of membership to 4th level or higher (there can be some exceptions for third level, such as a glowing recommendation from a high-level member). Easy enough to test them by having them show proof of appropriate spell ability. I remember having to do this in a Skyrim quest and it was pretty cool.

Of course, some old school classes, such as druids and monks, had some non-spell ability level requirements there probably had to be martial tests for at later levels. 

For most other classes; fighters, thief/rogue or whatever, you had to abstract it a bit. How they perform their craft out in the field or what not. Reputation. 

Mr. Satan is an example of how 
imperfect the system can be.

But for weapons and items that give pluses I no longer sweat it. I've recently started just letting characters understand what the numbers mean. An amulet of Extra AC that is +1 is almost useless. But a +5 one is certainly something you want to count on in a big battle. A shield with such even more. A plus 1 sword is about the same as an exceptionally crafted one, but a +3 is decent magic. It makes a difference.

A character only needs experiment a little to understand its magical quality. "Hey, I think this dagger is +2." 

Any other abilites the item may have is another matter. However its done, identify spell or what not, I don't really like to spend a lot of time on more minor items. If they have some kind of meaning beyond a little help in battle, I spend more time on it. But "hey, it seems like it is maybe a +3 axe" and getting on with the game is usually good enough for my players. And a little metagaming sneaking in never hurt anybody. YMMV.

Cheers

Lupin the Third the RPG?

 

I only this weekend heard that there was an RPG book in the works based on the long running anime Lupin the Third. Since I only recently got into this show (REALLY into it) I wanted to share some thoughts on it. 

I was maybe 15 years old give or take in the mid 80's when I went to a Los Angeles Sci Fi con over a Thanksgiving weekend (Loscon) where I met my first real sweetheart. She was tall, pretty and lithe (much like a certain fem fatale I'm going to discuss a lot in this post), and liked the same pop culture Sci Fi stuff I did. We hung around each other the entire weekend. For a teenager into sci fi, this was the unbelievable weekend to beat them all. She and I would go on to date for almost two years, but at this con we were inseparable. That is my number one memory of that weekend. But the second most memorable was discovering Lupin the Third. 

I didn't know about the character, but it was kind of a hit for both of us. To get away from our friends and spend some sitting close time in the dark we had ducked into a side hall showing Japanimation (what it was called then). The Lupin movie "Castle of Cagliostro" was playing. Now my only experience was with wholesome Japanese shows like Speed Racer, Kimba the White Lion, and Gigantor. But this was something else. With its gunplay, violence, nudity, and sex, it was more like watching something like Heavy Metal, but with all the giggly energy of most Japanese cartoons. It was only a half hour or so that we hung out in there, but we were digging it. Cool, crazy characters and sex. When Lupin reached out and pinched his nude ladies nipple, the castle behind them blowing up as if in reaction to that, we laughed our asses off. 

The uniqueness of it, and my new crush sitting next to me to seal the memory, Lupin was in my mind for the rest of my life though I saw no more of the series. But sometime after that con, a year, maybe two; I was with pals at the local arcade and saw "Cliff Hanger" and lost my shit. I had not seen the show again, but I recognized the characters right away. Lupin was all over the cabinet art of the machine (weirdly with a fat ass). This was the time of Dragons Lair, and apparently a company wanted to do a laserdisc arcade game but didn't have the money. So they licensed a couple of Lupin films to cut up into a laserdisc adventure with horrible English dialogue. I didn't play it much (it seemed very difficult) but I was fascinated. 

Over the years I have no idea why I never watched Lupin video tapes. I'm sure Lupin tapes were at the japaninmation sections of video stores, but there were other things I wanted to rent. I probably would have by the 90's, but I was gaga over anime series like Dragonball and Bubblegum Crisis and spent a lot of times on those. Anyway, with the death of the video store and no regular showing of Lupin anywhere (that I knew) I forgot about him for many years. 

Then I saw recently that Pluto TV, a free multi-channel streaming network had added a Lupin the Third channel! Pluto is known for show-based channels showing up from time to time for a few months (Baywatch channel, James Bond channel, Chef Ramsey channel, etc). So you get used to surprises like this. Long and short? I started watching Lupin. A fucking lot of Lupin. I'd be watching right now if I wasn't typing this. I'm in that zone of having found a new pop culture item I love but have yet to discover everything about it. A hot honeymood period. 

So there have been several mini series since the 70's (its based on a 1960's manga) and movies. And Pluto is showing them all. After even only a couple of episodes you are familiar with Lupin's major cast of characters: 

Arsene Lupin: an internationally infamous master thief. Lupin goes after only the most challenging heists, more often than not giving the athorities clues about when he will strike. Its not about the wealth so much; its about the quest. The game. With a disarming happy-go-lucky personality, Lupin is more hero than villain. His skill sets are vast and astounding. Besides all the abilities required to pull off almost impossible quests (great intellect, technological expertise, physical agility), he is a formidable gunman, hand to hand combatant. Like his allies he seems to be able to operate any form of vehicle, land, sea, or air. A ladies man through and through, Lupin's greatest love is Fujiko Mine (pronounced "meenay"). Fujiko has described him at times as "indestructible" and "immortal," and it seems true. He regular dodges hails of bullets, even from master gunmen. In fact, all the major players of the show seem to be superhuman in their abilities. 

Jigen: Lupins best friend. A former bodyguard and hitman, Jigen is probably the most skilled with firearms on the planet. Usually always carrying a Magnum .44, he has been shown to deflect bullets coming at him with his own well-placed shots. He is an affirmed woman hater, and constantly has to chastise Lupin over his weakness for Fujiko Mine. He is the voice of reason over Lupin's haphazard attitude and actions. 

Goemon: a modern samurai, when not training and meditating he joins Lupin on capers as part of his gang, and enforcer. With his sword he can block bullets, missiles, and can cut cars, helicopters, and even tanks in half with little effort, often from a distance. He has been shown leaping 50 feet and jumping from great heights, so to call him superhuman would be apropos. He doesn't seem to have the wide range of thief skills his partners possess, but those aren't' his bag. He's there as muscle, and powerful muscle it is. 

Fujiko Mine: originally your basic fem fatale, Fujiko quickly evolved into more than just Bond-girl eye candy. She is an international thief as Lupin is, but also compliments that with feminine wiles that get her out of danger as much as it does getting her INTO danger. Fujiko has always been aware of Lupins obsessive love for her (it's obvious to all), and uses it to her great advantage. Often working as part of his gang (depending on the particular series), she often regularly betrays them in order to get the loot for herself, leaving the gang in deathtrap situations, but knowing that there is nobody who can kill Lupin.

 When faced with danger She will often play the part of a crying damsel in distress, but in reality, Fujiko is fearless in most situations and just knows how to manipulate those around her.  Casual sex is never off the table for Fujiko, In all the series she is regularly nude, or at least topless. Shame is not a word in her world. Anything goes. Fujiko has shown that among the others she lacks the most conscious when it comes to killing. While the Lupin gang generally avoids it, Fujiko does what she has to do to get what she wants. 

Zenigata: A Japanese policeman and agent of INTERPOL, he has dedicated his life to capturing Lupin. Highly skilled himself, he is most often portrayed as an oaf, a buffoon for Lupin to antagonize with his escapades. 

There have been several Lupin series since the 70's, each with a differing style. Most do not reflect the gritty style of the original Manga, But the 2012 mini series The Woman Named Fujiko Mine comes closest. This is a departure from the general merry fun of the other series, being more of a psycho-sexual dark drama. Fujiko is the main character over the others here, and it tells the story of how Fujiko met Lupin and the rest of his eventual gang. 

Zenigata is the most different here. Instead of a comic foil, he is a serious detective oozing toxic masculinity. Having captured Fujiko at some point, he makes her have sex with hem in his office as other policemen peep through the keyhole, and enlists her to help him in return from staying off the hangman's noose. Rather than fall for her charms like most men, he calls her a "cheap ride" and a spitoon. But Lupin upon first meeting her is not so taken by her sexuality as his is by her sheer unique existence. A worthy foil and possible lover who is unlike any woman he has ever known. In this series Fujiko's past is also examined, repressed memories of a childhood of physical torture and abuse are coming to the forefront of her mind. But are they real? Are her compulsions for theft and sex a product of abuse, or is there more to it than that? 

This version of the show is my favorite, and anyone wanting to explore it should watch at least a couple of the sillier versions in order to have a blown mind from watching this one. It reminds me very much, in art style and vibe of the old Aeon Flux series. That surely must be an inspiration. 

OK, so how would all this make a game? Personally, I hate games that have you play as known characters from various properties. But the style and vibe of the series is solid. Big capers, highly skilled characters, odd and deadly rivals and foes. Who knows how the planned rpg will pan out, but I would hope character gen would be alot like a point-based supers game like Champions. With a stereotype as a basis. Cat Burgler (like Lupin), Gunman (like Jigen), melee specialist (Goemon), Seductress (guess who?). Other "classes" could include Wiseguy (mafia dude), Pilot, Mad Scientist, etc. Lots of points in one major skill, then spreading around to various other abilities. 

I think there are some fun games to be had with this genre. With a GM who is willing to do a LOT of prep on capers, and players willing to indulge in role play as well as thinking smart with capable characters, there are some great possibilities here. 

Now to go watch more Lupin. I hope Fujiko takes her top off in this episode. Just joking, she takes it off in most episodes...